Kama Sutra

Kama Sutra - Praised be the three aims of life, virtue (dharma), prosperity (artha), and love (kama), which are the subject of this work.Kama Sutra Sex PositionsAncient Indian Philosophy of Kama SutraArt of Love - Kama SutraIndian Erotic PhilosophyErotic Philosophy of Sex PositionsAncient Indian Erotic StatuesIndian Eroticism of Women

The Ancient Indian Philosophy of Eroticism - The Art of Love
Evolutionary / Metaphysical foundations of the Kama Sutra

The Kama Sutra is not intended to be used merely as an instrument for satisfying our desires. A person, acquainted with the true principles of this science, and who preserves his Dharma (virtue), Artha (prosperity), and Kama (love), and has regard for the practices of the people, is sure to obtain the mastery over his senses. (Kama Sutra, 1883)

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Introduction - Gallery Kama Sutra Pictures & Positions - Art of Love - Types of Women & Partners - Kama Sutra Sex Guide - Sex Positions - Love Potions & Sex Aids - Links / Kama Sutra - Top of Page

Ancient Indian Statues Introduction to Kama Sutra

Ancient Indian sages composed the Kama Shastra on the basis of the Vedas. The first formulation of the Kama Shastra, or the rules of love, is attributed to Nandi, Shiva's companion. It is preserved today in the form of the 'Kama Sutra' written down by the sage Vatsyayana sometime between the first and sixth century A.D. The Kama Sutra is recognised as the true surviving text of the original Kama Shastra. Vatsyayana states that he only quotes and condenses the previous work and refers to himself in third person (Vatsyayana thinks ..) when expressing his opinion.

The Kama Shastra was one of three ancient Indian texts concerning the aims of life. It should be understood within the context of the Artha Shastra and the Dharma Shastra (which were written in Sanskrit, seventh century B.C.). As Alain Danielou confirms;

Life necessitates three kinds of activity: to assure its survival, its means of existence, and its nourishment; to realise its reproduction according to forms of activity generally connected with sexuality; and, lastly, to establish rules of behaviour that allow different individuals to perform their roles within the framework of the species. In human society, this is represented as three necessities, three aims of life: material goods (artha) assure survival; erotic practice (kama) assures the transmission of life; and rules of behaviour, a moral nature (dharma), assure the cohesion and duration of the species. (The Complete Kama Sutra, translated by Alain Danielou, 1994)

So with religion, morality (dharma) and material success (artha), kama is the third goal of human life. Kama is further defined as;

Kama is the enjoyment of appropriate objects by the five senses of hearing, feeling, seeing, tasting and smelling, assisted by the mind together with the soul. The ingredient in this is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama. .. Kama is to be learnt from the Kama Sutra (aphorisms on love) and from the practice of citizens. (Kama Sutra, 1883)

The ancient Indians appear to be very good evolutionists, as it is clear from evolution that sex and survival are the two most fundamental forces driving our continued existence. Further, it is an evolutionary work in that it promotes the cultivation of skills to become a well rounded / well evolved individual with healthy, intimate relationships with others. As Alain Danielou agrees;

The Kama Sutra is not a pornographic work. First and foremost, it is a picture of the art of living for the civilised and refined citizen, completing in the sphere of love, eroticism and the pleasures of life. (The Complete Kama Sutra, Alain Danielou 1994)

The aim of the Sixty Four Arts is not merely to be a good wife, but to be a skillful, playful, understanding, refined, sexual, beautiful and intelligent woman. The ancient erotic text also expresses cultivation of the male, his understanding of female nature and the importance of cultivating sensual moods and intimacy. The ancient Indians show great attention to detail of smell, light, music, food, drink and touch before intercourse can begin.

The modern western world is a busy stressful place. It takes time and effort to cultivate a beautiful, sensual environment and sense of self. Many people (particularly women) do not have the fulfilling sexual relationship they desire. The Kama Sutra, known as the Art or Book of Love, is a guide towards deeper intimacy within, with other people and the universe. With intimacy comes less inhibitions, freedom and sharing of power. The erotic sutra is not always politically correct - but very amusing, creative, wild, though sensible and thought provoking too. If you are interested in the history of sexuality or just the sex act and wanting to experiment then the 'Book of Love' is well worth a browse.

Much wisdom is to be found in our modern world from ideas of the ancients, particularly Ancient Indian Philosophy. Of great significance is the Eastern understanding that All is One and interconnected, and that we humans are part of the whole. In realising our connection to the universe, we find solace, fulfillment and guidance of how we are to live.

The ancient Indians were very close to understanding reality, yet they never truly knew what exists (what matter is and how is it connected to all other matter in the universe). Western Science (founded on 'Particles' and 'Forces / Fields' in Space and Time) has never correctly understood this interconnection of all things.

Recent discoveries on the properties of Space and the Wave Structure of Matter (Wolff, Haselhurst) provides a scientific / logical explanation of ancient Indian philosophy / Eastern Mysticism. Please see links to the articles on the side of the page.

We hope that you enjoy reading this website and will read and practice not only the wisdom of the Kama Sutra, but also the wisdom which comes from understanding our true connection to the universe.

Kindly and Sincerely,
Geoff Haselhurst, Karene Howie


Introduction - Gallery Kama Sutra Pictures & Positions - Art of Love - Types of Women & Partners - Kama Sutra Sex Guide - Sex Positions - Love Potions & Sex Aids - Links / Kama Sutra - Top of Page

Gallery of Kama Sutra Pictures and Positions

Kama Sutra PicturesAnd now for the love postures
with which sculptors adorn our temple walls.
When a couple make love standing,
or leaning against a wall or a pillar,
it is called Sthita (Steadied)



Kama Sutra PicturesWhen the woman sits in her lover's
cradled hands, her arms around his neck,
thighs gripping his waist,
her feet pushing back and forth
against a wall,
it is Avalambitaka (Suspended)
(Kama Sutra)



Kama Sutra PicturesShe draws her limbs together,
clasping her knees
tightly to her breasts,
her yoni, like an opening bud,
offered up for pleasure:
this is known as
Mukula
(the Bud)



Kama Sutra PicturesIf she raises one leg
and you catch hold of her little foot,
caressing her breasts
and telling her how much you love her,
it is Ekapada (One Foot)

Seated, the lady raises one foot
to point vertically over her head
and steadies it with her hands,
offering up her yoni for lovemaking:
this is Mayura (the Peacock)


Kama Sutra PicturesIf, sitting facing her,
you grasp her ankles
and fasten them like a chain behind your neck,
she grips her toes
as you make love,
it is the delightful Padma (the Lotus)
(Kama Sutra)


Kama Sutra Pictures Seize her feet
and lift them high
(like a wheel barrow),
drive your penis
into her yoni
and pleasure her
with vigorous strokes:
this is Kulisha
(the Thunderbolt)


Kama Sutra PicturesShe bends well forward
and grips the bedstead,
her buttocks raised high;
cup your hands to serpents' hoods
and squeeze her jar-shaped
breasts together:
this is Dhenuka (the Milch Cow)




Kama Sutra Pictures Clasping each other's hands,
you lie sprawled like two starfish making love,
her breasts stabbing your chest,
her thighs stretched out along yours:
this is Devabandha
(the Coitus of the Gods)





Kama Sutra PicturesLying upon you,
your beloved moves round like a wheel,
pressing hands one after the other
on the bed,
kissing your body as she circles:
experts call this Chakrabandha (the Wheel)

If, by means of some contraption,
your lover suspends herself above you,
places your linga in her yoni
and pulleys herself up and down upon it,
it is Utkalita (the Orissan)


Kama Sutra PicturesNow spread, indeed cleave asunder,
that archway with your nose
and let your tongue
gently probe her yoni,
with your nose, lips and chin
slowly circling:
it becomes Jihva-bhramanaka
(Circling Tongue)

Kama Sutra Pictures Let your tongue rest
for a moment in the archway
to the flower-bowed Lord's temple
before entering
to worship vigorously,
causing her seed to flow:
this is Jihva-mardita
(Tongue Massage)

Next, fasten your lips to hers
and take deep kisses
from this lovely one, your beloved,
nibbling at her
and sucking hard at her clitoris:
this is called Chushita (Sucked)

 

Kama Sutra Pictures Cup, lift her buttocks,
let your tongue-tip probe her navel, slither down
to rotate skilfully in the archway
of the love-god's dwelling
and lap her love-water:
this is Uchchushita (Sucked Up)

Stirring the root of her thighs,
which her own hands are gripping and holding widely apart,
your fluted tongue
drinks at her sacred spring:
this is Kshobhaka (Stirring)





Kama Sutra Pictures When your lover catches
your penis in her hand,
shaping her lips to an 'O',
lays them lightly to its tip,
moving her head in tiny circles,
this first step is called Nimitta (Touching)

Kama Sutra Pictures Next, grasping its head in her hand,
she clamps her lips
tightly about the shaft,
first on one side then the other,
taking great care that her teeth
don't hurt you:
this is Parshvatoddashta
(Biting at the Sides)

Kama Sutra Pictures When, taking your penis in her hand
and making her lips very round,
she presses fierce kisses
along its whole length,
sucking as she would
at your lower lip,
it is called Chumbitaka (Kissing)

If while kissing, she lets her tongue
flick all over your penis
and then, pointing it,
strikes repeatedly
at the sensitive glans-tip,
it becomes Parimrshtaka
(Striking at the Tip)



And now, fired by passion,
she takes your penis deep into her mouth
pulling upon it and
sucking as vigorously
as though she were stripping
clean a mango-stone:
this is Amrachushita
(Sucking a Mango)

Kama Sutra PicturesWhen she senses that your
orgasm is imminent
she swallows up the whole penis,
sucking and working upon it
with lips and tongue until you spend:
this is Sangara
(Swallowed Whole)

Kama Sutra Pictures But no two women make love quite the same way,
so orchestrate your rhythms
to the moods and colors of each lover's raga (emotions).
If long lovemaking exhausts you
before your lover has reached her orgasm,
you should allow her to roll you over your back
and sit astride you, taking initiative.
If the posture gives her deep pleasure,
or you enjoy its novelty,
she may transpose into it as a matter of course,
taking great care, however,
not to expel the linga from the temple of love.


Consider: she climbs upon you,
the flowers dropping from her tousled hair,
her giggles turning to gasps;
every time she bends to kiss your lips
her nipples pierce your chest.
As her hips begin to churn,
her head, flung back, bobs ever faster;
she scratches, pummels you with small fists,
fastens her teeth in your neck,
doing unto you what you've often done unto her.
When she takes the man's role,
your lady has the choice
of three famous lovemaking techniques:
Samdamsha (the Tongs), Bhramara (the Bee)
and Prenkholita (the Swing)

If she uses the Mare's Trick,
gripping your penis with her yoni's vice,
squeezing and stroking it,
holding it inside her for a hundred heart-beats,
it is known as Samdamsha (the Tongs)

Kama Sutra painting of sexual intercourse If, drawing up her feet,
she revolves her hips so that your penis
circles deep within her yoni,
you arching your body to help her,
it is Bhramara (the Bee).

If she now swings her hips
in wide circles and makes figures-of-eight,
swaying upon your body
as though she were riding on a seesaw,
it is Prenkholita (the Swing)

Kama Sutra PicturesWhen her passion has ebbed,
she should rest,
bending forward to lay
her forehead upon yours
without disturbing your yoked bodies:
it won't be long before desire stirs again.
Catching your penis, the lady
with dark eyes like upturned lotus petals
guides it into her yoni,
clings to you and shakes her buttocks:
this is Charunarikshita
(Lovely Lady in Control)
(Kama Sutra)




Thanks to http://www.sex-project.com/kama-sutra-1.shtml for the above quotations from The Kama Sutra, as translated by Indra Sinha and to Stuart Brown for some of the erotic pictures.

The Kama Sutra of Vatsayayana, Sir Richard Burton, translator (1883)


Introduction - Gallery Kama Sutra Pictures & Positions - Art of Love - Types of Women & Partners - Kama Sutra Sex Guide - Sex Positions - Love Potions & Sex Aids - Links / Kama Sutra - Top of Page

Kama Sutra Philosophy Art of Love

As the sixty-four arts are respected, are charming, and add to the talent of women, they are called by the Acharyas dear to women. A man skilled in the sixty-four arts is looked upon with love by his own wife, by the wives of others, and by courtesans. (Kama Sutra)

Man should study the Kama Sutra and the arts and sciences subordinate thereto, in addition to the study of the arts and sciences contained in Dharma and Artha. Even young maids should study this Kama Sutra along with its arts and sciences before marriage, and after it they should continue to do so with the consent of their husbands.

Here some learned men object, and say that females, not being allowed to study any science, should not study the Kama Sutra.

But Vatsyayana is of opinion that this objection does not hold good, for women already know the practice of Kama Sutra, and that practice is derived from the Kama Shastra, or the science of Kama itself. Moreover, it is not only in this but in many other cases that, though the practice of a science is known to all, only a few persons are acquainted with the rules and laws on which the science is based. .. And from experience we find that some women, such as daughters of princes and their ministers, and public women are actually versed in the Kama Shastra.

A female, therefore, should learn the Kama Shastra, or at least a part of it, by studying its practice from some confidential friend. She should study alone in private the sixty-four practices that form a part of the Kama Shastra. Her teacher should be one of the following persons: the daughter of a nurse brought up with her and already married, 2 or a female friend who can be trusted in everything, or the sister of her mother (i.e. her aunt), or an old female servant, or a female beggar who may have formerly lived in the family, or her own sister who can always be trusted.

The following 64 arts are to be studied with the Kama Sutra:

Singing

Playing on musical instruments

Dancing

Union of dancing, singing, and playing instrumental music

Writing and drawing

Tattooing

Arraying and adorning an idol with rice and flowers

Spreading and arranging beds or couches of flowers, or flowers upon the ground

Colouring the teeth, garments, hair, nails and bodies, i.e. staining, dyeing, colouring and painting the same

Fixing stained glass into a floor

The art of making beds, and spreading out carpets and cushions for reclining

Playing on musical glasses filled with water

Storing and accumulating water in aqueducts, cisterns and reservoirs

Picture making, trimming and decorating

Stringing of rosaries, necklaces, garlands and wreaths

Binding of turbans and chaplets, and making crests and top-knots of flowers

Scenic representations, stage playing Art of making ear ornaments Art

Preparing perfumes and odours

Proper disposition of jewels and decorations, and adornment in dress

Magic or sorcery

Quickness of hand or manual skill

Culinary art, i.e. cooking and cookery

Making lemonades, sherbets, acidulated drinks, and spirituous extracts with proper flavour and colour

Tailor's work and sewing

Making parrots, flowers, tufts, tassels, bunches, bosses, knobs, etc., out of yarn or thread

Solution of riddles, enigmas, covert speeches, verbal puzzles and enigmatical questions

A game, which consisted in repeating verses, and as one person finished, another person had to commence at once, repeating another verse, beginning with the same letter with which the last speaker's verse ended, whoever failed to repeat was considered to have lost, and to be subject to pay a forfeit or stake of some kind

The art of mimicry or imitation

Reading, including chanting and intoning

Study of sentences difficult to pronounce. It is played as a game chiefly by women, and children and consists of a difficult sentence being given, and when repeated quickly, the words are often transposed or badly pronounced

Practice with sword, single stick, quarter staff and bow and arrow

Drawing inferences, reasoning or inferring

Carpentry, or the work of a carpenter

Architecture, or the art of building

Knowledge about gold and silver coins, and jewels and gems

Chemistry and mineralogy

Colouring jewels, gems and beads

Knowledge of mines and quarries

Gardening; knowledge of treating the diseases of trees and plants, of nourishing them, and determining their ages

Art of cock fighting, quail fighting and ram fighting

Art of teaching parrots and starlings to speak

Art of applying perfumed ointments to the body, and of dressing the hair with unguents and perfumes and braiding it

The art of understanding writing in cypher, and the writing of words in a peculiar way

The art of speaking by changing the forms of words. It is of various kinds. Some speak by changing the beginning and end of words, others by adding unnecessary letters between every syllable of a word, and so on

Knowledge of language and of the vernacular dialects

Art of making flower carriages

Art of framing mystical diagrams, of addressing spells and charms, and binding armlets

Mental exercises, such as completing stanzas or verses on receiving a part of them; or supplying one, two or three lines when the remaining lines are given indiscriminately from different verses, so as to make the whole an entire verse with regard to its meaning; or arranging the words of a verse written irregularly by separating the vowels from the consonants, or leaving them out altogether; or putting into verse or prose sentences represented by signs or symbols. There are many other such exercises.

Composing poems

Knowledge of dictionaries and vocabularies

Knowledge of ways of changing and disguising the appearance of persons

Knowledge of the art of changing the appearance of things, such as making cotton to appear as silk, coarse and common things to appear as fine and good.

Various ways of gambling

Art of obtaining possession of the property of others by means of muntras or incantations

Skill in youthful sports

Knowledge of the rules of society, and of how to pay respect and compliments to others

Knowledge of the art of war, of arms, of armies, etc.

Knowledge of gymnastics

Art of knowing the character of a man from his features

Knowledge of scanning or constructing verses

Arithmetical recreations

Making artificial flowers

Making figures and images in clay

A public woman, endowed with a good disposition, beauty and other winning qualities, and also versed in the above arts, obtains the name of a Ganika, or public woman of high quality, and receives a seat of honour in an assemblage of men.

She is, moreover, always respected by the king, and praised by learned men, and her favour being sought for by all, she becomes an object of universal regard. The daughter of a king too as well as the daughter of a minister, being learned in the above arts, can make their husbands favourable to them, even though these may have thousands of other wives besides themselves.

If a wife becomes separated from her husband, and falls into distress, she can support herself easily, even in a foreign country, by means of her knowledge of these arts. Even the bare knowledge of them gives attractiveness to a woman, though the practice of them may be only possible or otherwise according to the circumstances of each case.

A man who is versed in these arts, who is loquacious and acquainted with the arts of gallantry, gains very soon the hearts of women, even though he is only acquainted with them for a short time.

Kama Sutra Love

Men learned in the humanities are of opinion that love is of four kinds:

Love acquired by continual habit
Love resulting from the imagination
Love resulting from belief
Love resulting from the perception of external objects

Love resulting from the constant and continual performance of some act is called love acquired by constant practice and habit, as for instance the love of sexual intercourse, the love of hunting, the love of drinking, the love of gambling, etc., etc.

Love which is felt for things to which we are not habituated, and which proceeds entirely from ideas, is called love resulting from imagination, as for instance that love which some men and women and eunuchs feel for the Auparishtaka or mouth congress, and that which is felt by all for such things as embracing, kissing, etc., etc.

The love which is mutual on both sides, and proved to be true, when each looks upon the other as his or her very own, such is called love resulting from belief by the learned.

In the Kama Sutra, the love resulting from the perception of external objects is quite evident and well known to the world. because the pleasure which it affords is superior to the pleasure of the other kinds of love, which exists only for its sake.


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Kama Sutra Types of Women & Description of Partners in Kama Sutra

When Kama is practised by men of the four castes according to the rules of the Holy Writ (i.e. by lawful marriage) with virgins of their own caste, it then becomes a means of acquiring lawful progeny and good fame, and it is not also opposed to the customs of the world.

On the contrary the practice of Kama with women of the higher castes, and with those previously enjoyed by others, even though they be of the same caste, is prohibited. But the practice of Kama with women of the lower castes, with women excommunicated from their own caste, with public women, and with women twice married, is neither enjoined nor prohibited. The object of practising Kama with such women is pleasure only.

Nayikas, therefore, are of three kinds - maids, women twice married, and public women. Gonikaputra has expressed an opinion that there is a fourth kind of Nayika, a woman who is resorted to on some special occasion even though she be previously married to another. These special occasions are when a man thinks thus:

This woman is self-willed, and has been previously enjoyed by many others besides myself. I may, therefore, safely resort to her as to a public woman though she belongs to a higher caste than mine, and, in so doing, I shall not be violating the ordinances of Dharma.

Or thus:
This is a twice-married woman and has been enjoyed by others before me; there is, therefore, no objection to my resorting to her.

Or thus:
This woman has gained the heart of her great and powerful husband, and exercises a mastery over him, who is a friend of my enemy; if, therefore, she becomes united with me she will cause her husband to abandon my enemy.

Or thus:
This woman will turn the mind of her husband, who is very powerful, in my favour, he being at present disaffected towards me, and intent on doing me some harm.

Or thus:
By making this woman my friend I shall gain the object of some friend of mine, or shall be able to effect the ruin of some enemy, or shall accomplish some other difficult purpose.

Or thus:
By being united with this woman, I shall kill her husband, and so obtain his vast riches which I covet.

Or thus:
The union of this woman with me is not attended with any danger, and will bring me wealth, of which, on account of my poverty and inability to support myself, I am very much in need. I shall therefore obtain her vast riches in this way without any difficulty.

Or thus:
This woman loves me ardently, and knows all my weak points; if therefore, I am unwilling to be united with her, she will make my faults public, and thus tarnish my character and reputation. Or she will bring some gross accusation against me, of which it may be hard to clear myself, and I shall be ruined. Or perhaps she will detach from me her husband who is powerful, and yet under her control, and will unite him to my enemy, or will herself join the latter.

Or thus:
The husband of this woman has violated the chastity of my wives, I shall therefore return that injury by seducing his wives.

Or thus:
By the help of this woman I shall kill an enemy of the king, who has taken shelter with her, and whom I am ordered by the king to destroy.

Or thus:
The woman whom I love is under the control of this woman. I shall, through the influence of the latter, be able to get at the former.

Or thus:
This woman will bring to me a maid, who possesses wealth and beauty, but who is hard to get at, and under the control of another.

Or lastly thus:
My enemy is a friend of this woman's husband, I shall therefore cause her to join him, and will thus create an enmity between her husband and him.
For these and similar other reasons the wives of other men may be resorted to, but it must be distinctly understood that is only allowed for special reasons, and not for mere carnal desire.

Description of Men and Women

Man is divided into three classes, the hare man, the bull man, and the horse man, according to the size of his lingam. Woman also, according to the depth of her yoni, is either a female deer, a mare, or a female elephant. There are thus three equal unions between persons of corresponding dimensions, and there are six unequal unions, when the dimensions do not correspond, or nine in all, as the following table shows:

EQUAL
UNEQUAL
MEN
WOMEN
MEN
WOMEN
Hare
Deer
Hare
Mare
Bull
Mare
Hare
Elephant
Horse
Elephant
Bull
Deer
   
Bull
Elephant
   
Horse
Deer
   
Horse
Mare

In these unequal unions, when the male exceeds the female in point of size, his union with a woman who is immediately next to him in size is called high union, and is of two kinds; while his union with the woman most remote from his size is called the highest union, and is of one kind only.

On the other hand, when the female exceeds the male in point of size, her union with a man immediately next to her in size is called low union, and is of two kinds; while her union with a man most remote from her in size is called the lowest union, and is of one kind only.

In other words, the horse and mare, the bull and deer, form the high union, while the horse and deer form the highest union. On the female side, the elephant and bull, the mare and hare, form low unions, while the elephant has and the hare make the lowest unions.

There are, then, nine kinds of union according to dimensions. Amongst all these, equal unions are the best, those of a superlative degree, i.e. the highest and the lowest, are the worst, and the rest are middling, and with them the high 1 are better than the low. There are also nine kinds of union according to the force of passion or carnal desire, as follows:

MEN
WOMEN
MEN
WOMEN
Small
Small
Small
Middling
Middling
Middling
Small
Intense
Intense
Intense
Middling
Small
   
Middling
Intense
   
Intense
Small
   
Intense
Middling

A man is called a man of small passion whose desire at the time of sexual union is not great, whose semen is scanty, and who cannot bear the warm embraces of the female. Those who differ from this temperament are called men of middling passion, while those of intense passion are full of desire.

In the same way, women are supposed to have the three degrees of feeling as specified above. Lastly, according to time there are three kinds of men and women, the short-timed, the moderate-timed, and the long-timed; and of these, as in the previous statements, there are nine kinds of union. But on this last head there is a difference of opinion about the female, which should be stated.

Auddalika says, 'Females do not emit as males do. The males simply remove their desire, while the females, from their consciousness of desire, feel a certain kind of pleasure, which gives them satisfaction, but it is impossible for them to tell you what kind of pleasure they feel. The fact from which this becomes evident is, that males, when engaged in coition, cease of themselves after emission, and are satisfied, but it is not so with females.'

This opinion is however objected to on the grounds that, if a male be a long-timed, the female loves him the more, but if he be short-timed, she is dissatisfied with him. And this circumstance, some say, would prove that the female emits also. But this opinion does not hold good, for if it takes a long time to allay a woman's desire, and during this time she is enjoying great pleasure, it is quite natural then that she should wish for its continuation. And on this subject there is a verse as follows:

'By union with men the lust, desire, or passion of women is satisfied, and the pleasure derived from the consciousness of it is called their satisfaction.'

The followers of Babhravya, however, say that the semen of women continues to fall from the beginning of the sexual union to its end, and it is right that it should be so, for if they had no semen there would be no embryo. To this there is an objection. In the beginning of coition the passion of the woman is middling, and she cannot bear the vigorous thrusts of her lover, but by degrees her passion increases until she ceases to think about her body, and then finally she wishes to stop from further coition.

This objection, however, does not hold good, for even in ordinary things that revolve with great force, such as a potter's wheel, or a top, we find that the motion at first is slow, but by degrees it becomes very rapid. In the same way the passion of the woman having gradually increased, she has a desire to discontinue coition, when all the semen has fallen away. And there is a verse with regard to this as follows:

'The fall of the semen of the man takes place only at the end of coition, while the semen of the woman falls continually, and after the semen of both has all fallen away then they wish for the discontinuance of coition.'

Lastly, Vatsyayana is of opinion that the semen of the female falls in the same way as that of the male.
Now some may ask here: If men and women are beings of the same kind, and are engaged in bringing about the same results, why should they have different works to do?

Vatsya says that this is so, because the ways of working as well as the consciousness of pleasure in men and women are different. The difference in the ways of working, by which men are the actors, and women are the persons acted upon, is owing to the nature of the male and the female, otherwise the actor would be sometimes the person acted upon, and vice versa. And from this difference in the ways of working follows the difference in the consciousness of pleasure, for a man thinks, 'this woman is united with me', and a woman thinks, 'I am united with this man'.

It may be said that, if the ways of working in men and women are different, why should not there be a difference, even in the pleasure they feel, and which is the result of those ways. But this objection is groundless, for, the person acting and the person acted upon being of different kinds, there is a reason for the difference in their ways of working; but there is no reason for any difference in the pleasure they feel, because they both naturally derive pleasure from the act they perform.

On this again some may say that when different persons are engaged in doing the same work, we find that they accomplish the same end or purpose; while, on the contrary, in the case of men and women we find that each of them accomplishes his or her own end separately, and this is inconsistent. But this is a mistake, for we find that sometimes two things are done at the same time, as for instance in the fighting of rams, both the rams receive the shock at the same time on their heads.

Again, in throwing one wood apple against another, and also in a fight or struggle of wrestlers. If it be said that in these cases the things employed are of the same kind, it is answered that even in the case of men and women, the nature of the two persons is the same. And as the difference in their ways of working arises from the difference of their conformation only, it follows that men experience the same kind of pleasure as women do.

There is also a verse on this subject as follows:
'Men and women, being of the same nature, feel the same kind of pleasure, and therefore a man should marry such a woman as will love him ever afterwards.'

The pleasure of men and women being thus proved to be of the same kind, it follows that, in regard to time, there are nine kinds of sexual intercourse, in the same way as there are nine kinds, according to the force of passion.
There being thus nine kinds of union with regard to dimensions, force of passion, and time, respectively, by making combinations of them, innumerable kinds of union would be produced. Therefore in each particular kind of sexual union, men should use such means as they may think suitable for the occasion.

At the first time of sexual union the passion of the male is intense, and his time is short, but in subsequent unions on the same day the reverse of this is the case. With the female, however, it is the contrary, for at the first time her passion is weak, and then her time long, but on subsequent occasions on the same day, her passion is intense and her time short, until her passion is satisfied.


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Kama Sutra Kama Sutra Sex Guide

On Embracing, Kissing, Scratching, Biting, Sighs, Blows, Foreplay, Post Coition & Lovers Quarrels

.. those things which increase passion should be done first, and those which are only for amusement or variety should be done afterwards. (Kama Sutra)

Chapter II Kama Sutra - On the Embrace

The embrace which indicates the mutual love of a man and woman who have come together is of four kinds: Touching, Rubbing, Piercing, Pressing.
The action in each case is denoted by the meaning of the word which stands for it.

When a man under some pretext or other goes in front or alongside of a woman and touches her body with his own, it is called the 'touching embrace'.When a woman in a lonely place bends down, as if to pick up something, and pierces, as it were, a man sitting or standing, with her breasts, and the man in return takes hold of them, it is called a 'piercing embrace'. The above two kinds of embrace take place only between persons who do not, as yet, speak freely with each other.

When two lovers are walking slowly together, either in the dark, or in a place of public resort, or in a lonely place, and rub their bodies against each other, it is called a 'rubbing embrace'. When on the above occasion one of them presses the other's body forcibly against a wall or pillar, it is called a 'pressing embrace'. These two last embraces are peculiar to those who know the intentions of each other. At the time of the meeting the four following kinds of embrace are used:

Jataveshtitaka, or the twining of a creeper.
Vrikshadhirudhaka, or climbing a tree.
Tila-Tandulaka, or the mixture of sesamum seed with rice.
Kshiraniraka, or milk and water embrace.

In the Kama Sutra, the two kinds of embrace take place when the lover is standing are:

When a woman, clinging to a man as a creeper twines round a tree, bends his head down to hers with the desire of kissing him and slightly makes the sound of sut sut, embraces him, and looks lovingly towards him, it is called the 'twining of a creeper'.

When a woman, having placed one of her feet on the foot of her lover, and the other on one of his thighs, passes one of her arms round his back, and the other on his shoulders, makes slightly the sounds of singing and cooing, and wishes, as it were, to climb up him in order to have a kiss, it is called an embrace like the 'climbing of a tree'.

These two kinds of embrace take place at the time of sexual union:

When lovers lie on a bed, and embrace each other so closely that the arms and thighs of the one are encircled by the arms and thighs of the other, and are, as it were, rubbing up against them, this is called an embrace like 'the mixture of sesamum seed with rice'.

When a man and a woman are very much in love with each other, and, not thinking of any pain or hurt, embrace each other as if they were entering into each other's bodies either while the woman is sitting on the lap of the man, or in front of him, or on a bed, then it is called an embrace like a 'mixture of milk and water'.

Babhravya has thus related to us the above eight kinds of embraces. Suvarnanabha moreover gives us four ways of embracing simple members of the body, which are:

The embrace of the thighs.
The embrace of the jaghana, i.e. the part of the body from the navel downwards to the thighs.
The embrace of the breasts.
The embrace of the forehead.

When one of two lovers presses forcibly one or both of the thighs of the other between his or her own, it is called the 'embrace of thighs'.

When a man presses the jaghana or middle part of the woman's body against his own, and mounts upon her to practise, either scratching with the nail or finger, or biting, or striking, or kissing, the hair of the woman being loose and flowing, it is called the 'embrace of the jaghana'.

When a man places his breast between the breasts of a of Vatsyayana woman and presses her with it, it is called the 'embrace of the breasts'.

When either of the lovers touches the mouth, the eyes and the forehead of the other with his or her own, it is called the 'embrace of the forehead'.

Some say that even shampooing is a kind of embrace, because there is a touching of bodies in it. But Vatsyayana thinks that shampooing is performed at a different time, and for a different purpose, and it is also of a different character, it cannot be said to be included in the embrace.

There are also some verses on the subject as follows:
'The whole subject of embracing is of such a nature that men who ask questions about it, or who hear about it, or who talk about it, acquire thereby a desire for enjoyment. Even those embraces that are not mentioned in the Kama Shastra should be practised at the time of sexual enjoyment, if they are in any way conducive to the increase of love or passion. The rules of the Shastra apply so long as the passion of man is middling, but when the wheel of love is once set in motion, there is then no Shastra and no order.'

Chapter III Kama Sutra - On Kissing

It is said by some that there is no fixed time or order between the embrace, the kiss, and the pressing or scratching with the nails or fingers, but that all these things should be done generally before sexual union takes place, while striking and making the various sounds generally takes place at the time of the union. Vatsyayana, however, thinks that anything may take place at any time, for love does not care for time or order.

On the occasion of the first congress, kissing and the other things mentioned above should be done moderately, they should not be continued for a long time, and should be done alternately. On subsequent occasions, however, the reverse of all this may take place, and moderation will not be necessary, they may continue for a long time, and, for the purpose of kindling love, they may be all done at the same time.

The following are the places for kissing: the forehead, the eyes, the cheeks, the throat, the bosom, the breasts, the lips, and the interior of the mouth. Moreover the people of the Lat country kiss also on the following places: the joints of the thighs, the arms and the navel. But Vatsyayana thinks that though kissing is practised by these people in the above places on account of the intensity of their love, and the customs of their country, it is not fit to be practised by all.

Now in a case of a young girl there are three sorts of kisses of Kama Sutra:

The nominal kiss
The throbbing kiss
The touching kiss

When a girl only touches the mouth of her lover with her own, but does not herself do anything, it is called the 'nominal kiss'.

When a girl, setting aside her bashfulness a little, wishes to touch the lip that is pressed into her mouth, and with that object moves her lower lip, but not the upper one, it is called the 'throbbing kiss'.

When a girl touches her lover's lip with her tongue, and having shut her eyes, places her hands on those of her lover, it is called the 'touching kiss'.

Other authors describe four other kinds of kisses in Kama Sutra:

The straight kiss
The bent kiss
The turned kiss
The pressed kiss

When the lips of two lovers are brought into direct contact with each other, it is called a 'straight kiss'.

When the heads of two lovers are bent towards each other, and when so bent, kissing takes place, it is called a 'bent kiss'.

When one of them turns up the face of the other by holding the head and chin, and then kissing, it is called a 'turned kiss'.

Lastly when the lower lip is pressed with much force, it is called a 'pressed kiss'.

There is also a fifth kind of kiss called the 'greatly pressed kiss', which is effected by taking hold of the lower lip between two fingers, and then, after touching it with the tongue, pressing it with great force with the lip.

When a man kisses the upper lip of a woman, while she in return kisses his lower lip, it is called the 'kiss of the upper lip'.

When one of them takes both the lips of the other between his or her own, it is called 'a clasping kiss'. A woman, however, only takes this kind of kiss from a man who has no moustache. And on the occasion of this kiss, if one of them touches the teeth, the tongue, and the palate of the other, with his or her tongue, it is called the 'fighting of the tongue'. In the same way, the pressing of the teeth of the one against the mouth of the other is to be practised.

Kissing is of four kinds in Kama Sutra: moderate, contracted, pressed, and soft, according to the different parts of the body which are kissed, for different kinds of kisses are appropriate for different parts of the body.

When a woman looks at the face of her lover while he is asleep and kisses it to show her intention or desire, it is called a 'kiss that kindles love'.

When a woman kisses her lover while he is engaged in business, or while he is quarrelling with her, or while he is looking at something else, so that his mind may be turned away, it is called a 'kiss that turns away'.

When a lover coming home late at night kisses his beloved, who is asleep on her bed, in order to show her his desire, it is called a 'kiss that awakens'. On such an occasion the woman may pretend to be asleep at the time of her lover's arrival, so that she may know his intention and obtain respect from him.

When a person kisses the reflection of the person he loves in a mirror, in water, or on a wall, it is called a 'kiss showing the intention'.

When a person kisses a child sitting on his lap, or a picture, or an image, or figure, in the presence of the person beloved by him, it is called a 'transferred kiss'.

When at night at a theatre, or in an assembly of caste men, a man coming up to a woman kisses a finger of her hand if she be standing, or a toe of her foot if she be sitting, or when a woman is shampooing her lover's body, places her face on his thigh (as if she was sleepy) so as to inflame his passion, and kisses his thigh or great toe, it is called a 'demonstrative kiss'.

There is also a verse on this subject as follows:

'Whatever things may be done by one of the lovers to the other, the same should be returned by the other, i.e. if the woman kisses him he should kiss her in return, if she strikes him he should also strike her in return.'

Chapter IV Kama Sutra - On Pressing, Marking or Scratching with the Nails

When love becomes intense, pressing with the nails or scratching the body with them is practised, and it is done on the following occasions: on the first visit; at the time of setting out on a journey; on the return from a journey; at the time when an angry lover is reconciled; and lastly when the woman is intoxicated.

But pressing with the nails is not a usual thing except with those who are intensely passionate, i.e. full of passion. It is employed, together with biting, by those to whom the practice is agreeable.

Pressing with the nails is of the eight following kinds, in the Kama Sutra, according to the forms of the marks which are produced:

Sounding
Half moon
A circle
A line
A tiger's nail or claw
A peacock's foot
The jump of a hare
The leaf of a blue lotus

The places that are to be pressed with the nails are as follows: the arm pit, the throat, the breasts, the lips, the jaghana, or middle parts of the body, and the thighs. But Suvarnanabha is of opinion that when the impetuosity of passion is excessive, the places need not be considered.

The qualities of good nails are that they should be bright, well set, clean, entire, convex, soft, and glossy in appearance. Nails are of three kinds according to their size: Small, Middling, Large

Large nails, which give grace to the hands, and attract the hearts of women from their appearance, are possessed by the Bengalees. Small nails, which can be used in various ways, and are to be applied only with the object of giving pleasure, are possessed by the people of the southern districts. Middling nails, which contain the properties of both the above kinds, belong to the people of the Maharashtra.

When a person presses the chin, the breasts, the lower lip, or the jaghana of another so softly that no scratch or mark is left, but only the hair on the body becomes erect from the touch of the nails, and the nails themselves make a sound, it is called a 'sounding or pressing with the nails'. This pressing is used in the case of a young girl when her lover shampoos her, scratches her head, and wants to trouble or frighten her.

The curved mark with the nails, which is impressed on the neck and the breasts, is called the 'half moon'.

When the half moons are impressed opposite to each other, it is called a 'circle'. This mark with the nails is generally made on the navel, the small cavities about the buttocks, and on the joints of the thigh.

A mark in the form of a small line, and which can be made on any part of the body, is called a 'line'.

This same line, when it is curved, and made on the breast, is called a 'tiger's nail'.

When a curved mark is made on the breast by means of the five nails, it is called a 'peacock's foot'. This mark is made with the object of being praised, for it requires a great deal of skill to make it properly.

When five marks with the nails are made close to one another near the nipple of the breast, it is called 'the jump of a hare'.

A mark made on the breast or on the hips in the form of a leaf of the blue lotus is called the 'leaf of a blue lotus'.

When a person is going on a journey, and makes a mark on the thighs, or on the breast, it is called a 'token of remembrance'. On such an occasion three or four lines are impressed close to one another with the nails.

Here ends the marking with the nails. Marks of other kinds than the above may also be made with the nails, for the ancient authors say that, as there are innumerable degrees of skill among men (the practice of this art being known to all), so there are innumerable ways of making these marks. And as pressing or marking with the nails is independent of love, no one can say with certainty how many different kinds of marks with the nails do actually exist.

The reason of this is, Vatsyayana says, that as variety is necessary in love, so love is to be Produced by means of variety. It is on this account that courtesans, who are well acquainted with various ways and means, become so desirable, for if variety is sought in all the arts and amusements, such as archery and others, how much more should it be sought after in the present case.

The marks of the nails should not be made on married women, but particular kinds of marks may be made on their private parts for the remembrance and increase of love.

There are also some verses on the subject, as follows:

'The love of a woman who sees the marks of nails on the private parts of her body, even though they are old and almost worn out, becomes again fresh and new. If there be no marks of nails to remind a person of the passages of love, then love is lessened in the same way as when no union takes place for a long time.'

Even when a stranger sees at a distance a young woman with the marks of nails on her breast, he is filled with love and respect for her.

A man, also, who carries the marks of nails and teeth on some parts of his body, influences the mind of a woman, even though it be ever so firm. In short, nothing tends to increase love so much as the effects of marking with the nails, and biting.

Chapter V Kama Sutra - On Biting

All the places that can be kissed are also the places that can be bitten, except the upper lip, the interior of the mouth, and the eyes. The qualities of good teeth are as follows: They should be equal, possessed of a pleasing brightness, capable of being coloured, of proper proportions, unbroken, and with sharp ends. The defects of teeth on the other hand are that they are blunt, protruding from the gums, rough, soft, large, and loosely set.

The following are the different kinds of biting in the Kama Sutra:

The hidden bite
The swollen bite
The point
The line of points
The coral and the jewel
The line of jewels
The broken cloud
The biting of the boar

The biting, which is shown only by the excessive redness of the skin that is bitten, is called the 'hidden bite'.

When the skin is pressed down on both sides, it is called the 'swollen bite'.

When a small portion of the skin is bitten with two teeth only, it is called the 'point'.

When such small portions of the skin are bitten with all the teeth, it is called the 'line of points'.

The biting, which is done by bringing together the teeth and the lips, is called the 'coral and the jewel'. The lip is the coral, and the teeth the jewel.

When biting is done with all the teeth, it is called the 'line of jewels'.

The biting, which consists of unequal risings in a circle, and which comes from the space between the teeth, is called the 'broken cloud'. This is impressed on the breasts.

The biting, which consists of many broad rows of marks near to one another, and with red intervals, is called the 'biting of a boar'. This is impressed on the breasts and the shoulders; and these two last modes of biting are peculiar to persons of intense passion.

The lower lip is the place on which the 'hidden bite', the swollen bite', and the 'point' are made; again the 'swollen bite' and the 'coral and the jewel' bite are done on the cheek. Kissing, pressing with the nails, and biting are the ornaments of the left cheek, and when the word cheek is used it is to be understood as the left cheek.

Both the 'line of points' and the 'line of jewels' are to be impressed on the throat, the arm pit, and the joints of the thighs; but the 'line of points' alone is to be impressed on the forehead and the thighs.

The marking with the nails, and the biting of the following things - an ornament of the forehead, an ear ornament, a bunch of flowers, a betel leaf, or a tamala leaf, which are worn by, or belong to the woman that is beloved - are signs of the desire of enjoyment.

Among the things mentioned above, embracing, kissing, etc., those which increase passion should be done first, and those which are only for amusement or variety should be done afterwards.

There are also some verses on this subject as follows:

'When a man bites a woman forcibly, she should angrily do the same to him with double force. Thus a "point" should be returned with a "line of points", and a "line of points" with a "broken cloud", and if she be excessively chafed, she should at once begin a love quarrel with him.

At such a time she should take hold of her lover by the hair, and bend his head down, and kiss his lower lip, and then, being intoxicated with love, she should shut her eyes and bite him in various places. Even by day, and in a place of public resort, when her lover shows her any mark that she may have inflicted on his body, she should smile at the sight of it, and turning her face as if she were going to chide him, she should show him with an angry look the marks on her own body that have been made by him. Thus if men and women act according to each other's liking, their love for each other will not be lessened even in one hundred years.'

Blows and Sighs of Kama Sutra

Sexual intercourse can be compared to a quarrel, on account of the contrarieties of love and its tendency to dispute. The place of striking with passion is the body, and on the body the special places are:

The shoulders
The head
The space between the breasts
The back
The jaghana, or middle part of the body
The sides

Striking is of four kinds:

Striking with the back of the hand
Striking with the fingers a little contracted
Striking with the fist
Striking with the open palm of the hand

On account of its causing pain, striking gives rise to the hissing sound, which is of various kinds, and to the eight kinds of crying in Kama Sutra:

The sound Hin
The thundering sound
The cooing sound
The weeping sound
The sound Phut
The sound Phât
The sound Sût
The sound Plât

Besides these, there are also words having a meaning, such as 'mother', and those that are expressive of prohibition, sufficiency, desire of liberation, pain or praise, and to which may be added sounds like those of the dove, the cuckoo, the green pigeon, the parrot, the bee, the sparrow, the flamingo, the duck, and the quail, which are all occasionally made use of.

Blows with the fist should be given on the back of the woman while she is sitting on the lap of the man, and she should give blows in return, abusing the man as if she were angry, and making the cooing and the weeping sounds. While the woman is engaged in congress the space between the breasts should be struck with the back of the hand, slowly at first, and then proportionately to the increasing excitement, until the end.

At this time the sounds Hin and others may be made, alternately or optionally, according to habit. When the man, making the sound Phât, strikes the woman on the head, with the fingers of his hand a little contracted, it is called Prasritaka, which means striking with the fingers of the hand a little contracted. In this case the appropriate sounds are the cooing sound, the sound Phât and the sound Phut in the interior of the mouth, and at the end of congress the sighing and weeping sounds. The sound Phât is an imitation of the sound of a bamboo being split, while the sound Phut is like the sound made by something falling into water.

At all times when kissing and such like things are begun, the woman should give a reply with a hissing sound. During the excitement when the woman is not accustomed to striking, she continually utters words expressive of prohibition, sufficiently, or desire of liberation, as well as the words 'father', 'mother', intermingled with the sighing, weeping and thundering sounds. 1 Towards the conclusion of the congress, the breasts, the jaghana, and the sides of the woman should be pressed with the open palms of the hand, with some force, until the end of it, and then sounds like those of the quail or the goose should be made.

There are two verses on the subject in Kama Sutra as follows:

'The characteristics of manhood are said to consist of roughness and impetuosity, while weakness, tenderness, sensibility, and an inclination to turn away from unpleasant things are the distinguishing marks of womanhood. The excitement of passion, and peculiarities of habit may sometimes cause contrary results to appear, but these do not last long, and in the end the natural state is resumed.'

The wedge on the bosom, the scissors on the head, the piercing instrument on the cheeks, and the pinchers on the breasts and sides, may also be taken into consideration with the other four modes of striking, and thus give eight ways altogether. But these four ways of striking with instruments are peculiar to the people of the southern countries, and the marks caused by them are seen on the breasts of their women. They are local peculiarities, but Vatsyayana is of opinion that the practice of them is painful, barbarous, and base, and quite unworthy of imitation.

In the same way anything that is a local peculiarity should not always be adopted elsewhere, and even in the place where the practice is prevalent, excess of it should always be avoided. Instances of the dangerous use of them may be given as follows. The king of the Panchalas killed the courtesan Madhavasena by means of the wedge during congress. King Satakarni Satavahana of the Kuntalas deprived his great Queen Malayavati of her life by a pair of scissors, and Naradeva, whose hand was deformed, blinded a dancing girl by directing a piercing instrument in a wrong way.

There are also two verses in Kama Sutra on the subject as follows:

'About these things there cannot be either enumeration or any definite rule. Congress having once commenced, passion alone gives birth to all the acts of the parties.'

'Such passionate actions and amorous gesticulations or movements, which arise on the spur of the moment, and during sexual intercourse, cannot be defined, and are as irregular as dreams. A horse having once attained the fifth degree of motion goes on with blind speed, regardless of pits, ditches, and posts in his way; and in the same manner a loving pair become blind with passion in the heat of congress, and go on with great impetuosity, paying not the least regard to excess.

For this reason one who is well acquainted with the science of love, and knowing his own strength, as also the tenderness, impetuosity, and strength of the young women, should act accordingly. The various modes of enjoyment are not for all times or for all persons, but they should only be used at the proper time. and in the proper countries and places.'

Chapter X Kama Sutra - On Foreplay, Post Coition & Lovers Quarrels

In the pleasure room, decorated with flowers, and fragrant with perfumes, attended by his friends and servants, the citizen should receive the woman, who will come bathed and dressed, and will invite her to take refreshment and to drink freely. He should then seat her on his left side, and holding her hair, and touching also the end and knot of her garment, he should gently embrace her with his right arm. They should then carry on an amusing conversation on various subjects, and may also talk suggestively of things which would be considered as coarse, or not to be mentioned generally in society.

They may then sing, either with or without gesticulations, and play on musical instruments, talk about the arts, and persuade each other to drink. At last when the woman is overcome with love and desire, the citizen should dismiss the people that may be with him, giving them flowers, ointments, and betel leaves, and then when the two are left alone, they should proceed as has been already described in the previous chapters.

Such is the beginning of sexual union in Kama Sutra. At the end of the congress, the lovers with modesty, and not looking at each other, should go separately to the washing-room. After this, sitting in their own places, they should eat some betel leaves, and the citizen should apply with his own hand to the body of the woman some pure sandal wood ointment, or ointment of some other kind.

He should then embrace her with his left arm, and with agreeable words should cause her to drink from a cup held in his own hand, or he may give her water to drink. They can then eat sweetmeats, or anything else, according to their likings and may drink fresh juice, soup, gruel, extracts of meat, sherbet, the juice of mango fruits, the extract of the juice of the citron tree mixed with sugar, or anything that may be liked in different countries, and known to be sweet, soft, and pure.

The lovers may also sit on the terrace of the palace or house, and enjoy the moonlight, and carry on an agreeable conversation. At this time, too, while the woman lies in his lap, with her face towards the moon, the citizen should show her the different planets, the morning star, the polar star, and the seven Rishis, or Great Bear. This is the end of sexual union in Kama Sutra.

Congress in Kama Sutra is of the following kinds:

Loving congress
Congress of subsequent love
Congress of artificial love
Congress of transferred love
Congress like that of eunuchs
Deceitful congress
Congress of spontaneous love

When a man and a woman, who have been in love with each other for some time, come together with great difficulty, or when one of the two returns from a journey, or is reconciled after having been separated on account of a quarrel, then congress is called the 'loving congress'. It is carried on according to the liking of the lovers, and as long as they choose.

When two persons come together in Kama Sutra, while their love for each other is still in its infancy, their congress is called the 'congress of subsequent love'.

When a man carries on the congress by exciting himself by means of the sixty-four ways, such as kissing, etc., etc., or when a man and a woman come together, though in reality they are both attached to different persons, their congress is then called 'congress of artificial love'. At this time all the ways and means mentioned in the Kama Shastra should be used.

When a man, from the beginning to the end of the congress, though having connection with the woman, thinks all the time that he is enjoying another one whom he loves, it is called the 'congress of transferred love'.

Congress between a man and a female water carrier, or a female servant of a caste lower than his own, lasting only until the desire is satisfied, is called 'congress like that of eunuchs'. Here external touches, kisses, and manipulation are not to be employed.

The congress between a courtesan and a rustic, and that between citizens and the women of villages, and bordering countries, is called 'deceitful congress'.

The congress that takes place between two persons who are attached to one another, and which is done according to their own liking is called 'spontaneous congress'.

Thus end the kinds of congress in Kama Sutra.

We shall now speak of love quarrels.

A woman who is very much in love with a man cannot bear to hear the name of her rival mentioned, or to have any conversation regarding her, or to be addressed by her name through mistake. If such takes place, a great quarrel arises, and the woman cries, becomes angry, tosses her hair about, strikes her lover, falls from her bed or seat, and, casting aside her garlands and ornaments, throws herself down on the ground.

At this time, the lover should attempt to reconcile her with conciliatory words, and should take her up carefully and place her on her bed. But she, not replying to his questions, and with increased anger, should bend down his head by pulling his hair, and having kicked him once, twice, or thrice on his arms, head, bosom or back, should then proceed to the door of the room.

Dattaka says that she should then sit angrily near the door and shed tears, but should not go out, because she would be found fault with for going away. After a time, when she thinks that the conciliatory words and actions of her lover have reached their utmost, she should then embrace him, talking to him with harsh and reproachful words, but at the same time showing a loving desire for congress.

When the woman is in her own house, and has quarrelled with her lover, she should go to him and show how angry she is, and leave him. Afterwards the citizen having sent the Vita, the Vidushaka or the Pithamarda 2 to pacify her, she should accompany them back to the house, and spend the night with her lover.

Thus end the love quarrels.

In conclusion.

A man, employing the sixty-four means mentioned by Babhravya, obtains his object, and enjoys the woman of the first quality. Though he may speak well on other subjects, if he does not know the sixty-four divisions, no great respect is paid to him in the assembly of the learned.

A man, devoid of other knowledge, but well acquainted with the sixty-four divisions, becomes a leader in any society of men and women. What man will not respect the sixty-four arts, considering they are respected by the learned, by the cunning, and by the courtesans. As the sixty-four arts are respected, are charming, and add to the talent of women, they are called by the Acharyas dear to women. A man skilled in the sixty-four arts is looked upon with love by his own wife, by the wives of others, and by courtesans.


Introduction - Gallery Kama Sutra Pictures & Positions - Art of Love - Types of Women & Partners - Kama Sutra Sex Guide - Sex Positions - Love Potions & Sex Aids - Links / Kama Sutra - Top of Page

Kama Sutra - Praised be the three aims of life, virtue (dharma), prosperity (artha), and love (kama), which are the subject of this work. Kama Sutra Sex Positions

Sitting, Standing & Lying Sex Positions, Role reversal, Blows & Sighs, Fellatio

'An ingenious person should multiply the kinds of congress after the fashion of the different kinds of beasts and of birds. For these different kinds of congress, performed according to the usage of each country, and the liking of each individual, generate love, friendship, and respect in the hearts of women.' (Kama Sutra, 1883)

Chapter VI Kama Sutra

On the occasion of a 'high congress' the Mrigi (Deer) woman should lie down in such a way as to widen her yoni, while in a 'low congress' the Hastini (Elephant) woman should lie down so as to contract hers. But in an 'equal congress' they should lie down in the natural position. What is said above concerning the Mrigi and the Hastini applies also to the Vadawa (Mare) woman. In a 'low congress the woman should particularly make use of medicine, to cause her desires to be satisfied quickly.

The Deer-woman has the following three ways of lying down in Kama Sutra:

The widely opened position
The yawning position
The position of the wife of Indra

When she lowers her head and raises her middle parts, it is called the 'widely opened position'. At such a time the man should apply some unguent, so as to make the entrance easy.

When she raises her thighs and keeps them wide apart and engages in congress, it is called the 'yawning position'.

When she places her thighs with her legs doubled on them upon her sides, and thus engages in congress, it is called the 'position of Indrani' and this is learnt only by practice. The position is also useful in the case of the 'highest congress'.

The 'clasping position' is used in 'low congress', and in the 'lowest congress', together with the 'pressing position', the 'twining position', and the 'mare's position'.

When the legs of both the male and the female are stretched straight out over each other, it is called the 'clasping position'. It is of two kinds, the side position and the supine position, according to the way in which they lie down. In the side position the male should invariably lie on his left side, and cause the woman to lie on her right side, and this rule is to be observed in lying down with all kinds of women.

When, after congress has begun in the clasping position, the woman presses her lover with her thighs, it is called the 'pressing position'.

When the woman places one of her thighs across the thigh of her lover it is called the 'twining position'.

When a woman forcibly holds in her yoni the lingam after it is in, it is called the 'mare's position'. This is learnt by practice only, and is chiefly found among the women of the Andhra country.

The above are the different ways of lying down, mentioned by Babhravya. Suvarnanabha, however, gives the following in addition:

When the female raises both of her thighs straight up, it is called the 'rising position'.

When she raises both of her legs, and places them on her lover's shoulders, it is called the 'yawning position'.

When the legs are contracted, and thus held by the lover before his bosom, it is called the 'pressed position'.

When only one of her legs is stretched out, it is called the 'half pressed position'.

When the woman places one of her legs on her lover's shoulder, and stretches the other out, and then places the latter on his shoulder, and stretches out the other, and continues to do so alternately, it is called the 'splitting of a bamboo'.

When one of her legs is placed on the head, and the other is stretched out, it is called the 'fixing of a nail'. This is learnt by practice only.

When both the legs of the woman are contracted, and placed on her stomach, it is called the 'crab's position'.

When the thighs are raised and placed one upon the other, it is called the 'packed position'.

When the shanks are placed one upon the other, it is called the 'lotus-like position'.

When a man, during congress in Kama Sutra, turns round, and enjoys the woman without leaving her, while she embraces him round the back all the time, it is called the 'turning position', and is learnt only by practice.

Thus, says Suvarnanabha, these different ways of lying down, sitting, and standing should be practised in water, because it is easy to do so therein. But Vatsyayana is of opinion that congress in water is improper, because it is prohibited by the religious law.

When a man and a woman support themselves on each other's bodies, or on a wall, or pillar, and thus while standing engage in congress, it is called the 'supported congress'.

When a man supports himself against a wall, and the woman, sitting on his hands joined together and held underneath her, throws her arms round his neck, and putting her thighs alongside his waist, moves herself by her feet, which are touching the wall against which the man is leaning, it is called the 'suspended congress'.

When a woman stands on her hands and feet like a quadruped, and her lover mounts her like a bull, it is called the 'congress of a cow'. At this time everything that is ordinarily done on the bosom should be done on the back.

In the same way can be carried on the congress of a dog, the congress of a goat, the congress of a deer, the forcible mounting of an ass, the congress of a cat, the jump of a tiger, the pressing of an elephant, the rubbing of a boar, and the mounting of a horse. And in all these cases the characteristics of these different animals should be manifested by acting like them.

When a man enjoys two women at the same time, both of whom love him equally, it is called the 'united congress'.

When a man enjoys many women altogether, in the Kama Sutra, it is called the 'congress of a herd of cows'.

The following kinds of congress-sporting in water, or the congress of an elephant with many female elephants which is said to take place only in the water, the congress of a collection of goats, the congress of a collection of deer take place in imitation of these animals.

In Gramaneri many young men enjoy a woman that may be married to one of them, either one after the other, or at the same time. Thus one of them holds her, another enjoys her, a third uses her mouth, a fourth holds her middle part, and in this way they go on enjoying her several parts alternately.

The same things can be done when several men are sitting in company with one courtesan, or when one courtesan is alone with many men. In the same way this can be done by the women of the king's harem when they accidentally get hold of a man.

The people in the Southern countries have also a congress in the anus, that is called the 'lower congress'.

Thus ends the various kinds of congress of Kama Sutra. There are also two verses on the subject as follows:

'An ingenious person should multiply the kinds of congress after the fashion of the different kinds of beasts and of birds. For these different kinds of congress, performed according to the usage of each country, and the liking of each individual, generate love, friendship, and respect in the hearts of women.'

Chapter VIII - Kama Sutra Role Reversal

When a woman sees that her lover is fatigued by constant congress, without having his desire satisfied, she should, with his permission, lay him down upon his back, and give him assistance by acting his part. She may also do this to satisfy the curiosity of her lover, or her own desire of novelty.

There are two ways of doing this, the first is when during congress she turns round, and gets on the top of her lover, in such a manner as to continue the congress, without obstructing the pleasure of it; and the other is when she acts the man's part from the beginning.

At such a time, with flowers in her hair hanging loose, and her smiles broken by hard breathings, she should press upon her lover's bosom with her own breasts, and lowering her head frequently, should do in return the same actions which he used to do before, returning his blows and chaffing him, should say, 'I was laid down by you, and fatigued with hard congress, I shall now therefore lay you down in return.' She should then again manifest her own bashfulness, her fatigue, and her desire of stopping the congress. In this way she should do the work of a man, which we shall presently relate.

Whatever is done by a man for giving pleasure to a woman is called the work of a man, and is as follows:

While the woman is lying on his bed, and is as it were abstracted by his conversation, he should loosen the knot of her undergarments, and when she begins to dispute with him, he should overwhelm her with kisses. Then when his lingam is erect he should touch her with his hands in various places, and gently manipulate various parts of the body. If the woman is bashful, and if it is the first time that they have come together, the man should place his hands between her thighs, which she would probably keep close together, and if she is a very young girl, he should first get his hands upon her breasts, which she would probably cover with her own hands, and under her armpits and on her neck.

If however she is a seasoned woman, he should do whatever is agreeable either to him or to her, and whatever is fitting for the occasion. After this he should take hold of her hair, and hold her chin in his fingers for the purpose of kissing her. On this, if she is a young girl, she will become bashful and close her eyes. Anyhow he should gather from the action of the woman what things would be pleasing to her during congress.

Here Suvarnanabha says that while a man is doing to the woman what he likes best during congress, he should always make a point of pressing those parts of her body on which she turns her eyes.

The signs of the enjoyment and satisfaction of the woman are as follows: her body relaxes, she closes her eyes, she puts aside all bashfulness, and shows increased willingness to unite the two organs as closely together as possible.

On the other hand, the signs of her want of enjoyment and of failing to be satisfied are as follows: she shakes her hands, she does not let the man get up, feels dejected, bites the man, kicks him, and continues to go on moving after the man has finished. In such cases the man should rub the yoni of the woman with his hand and fingers (as the elephant rubs anything with his trunk) before engaging in congress, until it is softened, and after that is done he should proceed to put his lingam into her.

The acts to be done by the man in the Kama Sutra are:

Moving forward
Friction or churning
Piercing
Rubbing
Pressing
Giving a blow
The blow of a boar
The blow of a bull
The sporting of a sparrow

When the organs are brought together properly and directly it is called 'moving the organ forward'.

When the lingam is held with the hand, and turned all round in the yoni, it is called 'churning'.

When the yoni is lowered, and the upper part of it is struck with the lingam, it is called 'piercing'.

When the same thing is done on the lower part of the yoni, it is called 'rubbing'.

When the yoni is pressed by the lingam for a long time, it is called 'pressing'.

When the lingam is removed to some distance from the yoni, and then forcibly strikes it, it is called 'giving a blow'.

When only one part of the yoni is rubbed with the lingam, it is called the 'blow of a boar'.

When both sides of the yoni are rubbed in this way, it is called the 'blow of a bull'.

When the lingam is in the yoni, and moved up and down frequently, and without being taken out, it is called the 'sporting of a sparrow'. This takes place at the end of congress.

When a woman acts the part of a man, she has the following things to do in addition to the nine given above:

The pair of tongs
The top
The swing

When the woman holds the lingam in her yoni, draws it in, presses it, and keeps it thus in her for a long time, it is called the 'pair of tongs'.

When, while engaged in congress, she turns round like a wheel, it is called the 'top'. This is learnt by practice only.

When, on such an occasion, the man lifts up the middle part of his body, and the woman turns round her middle part, it is called the 'swing'.

When the woman is tired, she should place her forehead on that of her lover, and should thus take rest without disturbing the union of the organs, and when the woman has rested herself the man should turn round and begin the congress again.

There are also some verses on the subject as follows:

'Though a woman is reserved, and keeps her feelings concealed; yet when she gets on the top of a man, she then shows all her love and desire. A man should gather from the actions of the woman of what disposition she is, and in what way she likes to be enjoyed. A woman during her monthly courses, a woman who has been lately confined, and a fat woman should not be made to act the part of a man.'

Chapter IX Kama Sutra - On Auparishtaka, Mouth Congress (Fellatio, Cunnulingus)

There are two kinds of eunuchs, those that are disguised as males, and those that are disguised as females. Eunuchs disguised as females imitate their dress, speech, gestures, tenderness, timidity, simplicity, softness and bashfulness. The acts that are done on the jaghana or middle parts of women, are done in the mouths of these eunuchs, and this is called Auparishtaka. These eunuchs derive their imaginable pleasure, and their livelihood from this kind of congress, and they lead the life of courtesans. So much concerning eunuchs disguised as females.

Eunuchs disguised as males keep their desires secret, and when they wish to do anything they lead the life of shampooers. Under the pretence of shampooing, a eunuch of this kind embraces and draws towards himself the thighs of the man whom he is shampooing, and after this he touches the joints of his thighs and his jaghana, or central portions of his body.

Then, if he finds the lingam of the man erect, he presses it with his hands and chaffs him for getting into that state. If after this, and after knowing his intention, the man does not tell the eunuch to proceed, then the latter does it of his own accord and begins the congress. If however he is ordered by the man to do it, then he disputes with him, and only consents at last with difficulty.

The following eight things are then done by the eunuch one after the other:

The nominal congress
Biting the sides
Pressing outside
Pressing inside
Kissing
Rubbing
Sucking a mango fruit
Swallowing up

At the end of each of these, the eunuch expresses his wish to stop, but when one of them is finished, the man desires him to do another, and after that is done, then the one that follows it, and so on.

When, holding the man's lingam with his hand, and placing it between his lips, the eunuch moves about his mouth, it is called the 'nominal congress'.

When, covering the end of the lingam with his fingers collected together like the bud of a plant or flower, the eunuch presses the sides of it with his lips, using his teeth also, it is called 'biting the sides'.

When, being desired to proceed, the eunuch presses the end of the lingam with his lips closed together, and kisses it as if he were drawing it out, it is called the 'outside pressing'.

When, being asked to go on, he puts the lingam further into his mouth, and presses it with his lips and then takes it out, it is called the 'inside pressing'.

When, holding the lingam in his hand, the eunuch kisses it as if he were kissing the lower lip, it is called 'kissing'.

When, after kissing it, he touches it with his tongue everywhere, and passes the tongue over the end of it, it is called 'rubbing'.

When, in the same way, he puts the half of it into his mouth, and forcibly kisses and sucks it, this is called 'sucking a mango fruit'.

And lastly, when, with the consent of the man, the eunuch puts the whole lingam into his mouth, and presses it to the very end, as if he were going to swallow it up, it is called 'swallowing up'.

Striking, scratching, and other things may also be done during this kind of congress.

The Auparishtaka (fellatio) is practised also by unchaste and wanton women, female attendants and serving maids, i.e. those who are not married to anybody, but who live by shampooing.

The Acharyas (i.e. ancient and venerable authors) are of opinion that this Auparishtaka is the work of a dog and not of a man, because it is a low practice, and opposed to the orders of the Holy Writ, and because the man himself suffers by bringing his lingam into contact with the mouths of eunuchs and women.

But Vatsyayana says that the orders of the Holy Writ do not affect those who resort to courtesans, and the law prohibits the practice of the Auparishtaka with married women only. As regards the injury to the male, that can be easily remedied.

The people of Eastern India do not resort to women who practise the Auparishtaka.

The people of Ahichhatra resort to such women, but do nothing with them, so far as the mouth is concerned.

The people of Saketa do with these women every kind of mouth congress, while the people of Nagara do not practise this, but do every other thing.

The people of the Shurasena country, on the southern bank of the Jumna, do everything without any hesitation, for they say that women being naturally unclean, no one can be certain about their character, their purity, their conduct, their practices, their confidences, or their speech.

They are not however on this account to be abandoned, because religious law, on the authority of which they are reckoned pure, lays down that the udder of a cow is clean at the time of milking, though the mouth of a cow, and also the mouth of her calf, are considered unclean by the Hindoos. Again a dog is clean when he seizes a deer in hunting, though food touched by a dog is otherwise considered very unclean. A bird is clean when it causes a fruit to fall from a tree by pecking at it, though things eaten by crows and other birds are considered unclean. And the mouth of a woman is clean for kissing and such like things at the time of sexual intercourse.

Vatsyayana moreover thinks that in all these things connected with love, everybody should act according to the custom of his country, and his own inclination.

There are also the following verses on the subject:

'The male servants of some men carry on the mouth congress with their masters. It is also practised by some citizens, who know each other well, among themselves. Some women of the harem, when they are amorous, do the acts of the mouth on the yonis of one another, and some men do the same thing with women. The way of doing this (i.e. of kissing the yoni) should be known from kissing the mouth.

When a man and woman lie down in an inverted order, i.e. with the head of the one towards the feet of the other and carry on this congress, it is called the "congress of a crow".'

For the sake of such things courtesans abandon men possessed of good qualities, liberal and clever, and become attached to low persons, such as slaves and elephant drivers.

The Auparishtaka, or mouth congress, should never be done by a learned Brahman, by a minister that carries on the business of a state, or by a man of good reputation, because though the practice is allowed by the Shastras, there is no reason why it should be carried on, and need only be practised in particular cases. As for instance, the taste, and the strength, and the digestive qualities of the flesh of dogs are mentioned in works on medicine, but it does not therefore follow that it should be eaten by the wise. In the same way there are some men, some places and some times, with respect to which these practices can be made use of.

A man should therefore pay regard to the place, to the time, and to the practice which is to be carried out, as also as to whether it is agreeable to his nature and to himself, and then he may or may not practise these things according to circumstances. But after all, these things being done secretly, and the mind of the man being fickle, how can it be known what any person will do at any particular time and for any particular purpose.


Introduction - Gallery Kama Sutra Pictures & Positions - Art of Love - Types of Women & Partners - Kama Sutra Sex Guide - Sex Positions - Love Potions & Sex Aids - Links / Kama Sutra - Top of Page

Kama Sutra Love Potions / Sex Aids of Kama Sutra

Love potions to enslave a lover, increase potency, enlarge your penis or yoni, cope with impotence.

If a man is unable to satisfy a Hastini, or Elephant woman, he should have recourse to various means to excite her passion. At the commencement he should rub her yoni with his hand or fingers, and not begin to have intercourse with her until she becomes excited, or experiences pleasure. This is one way of exciting a woman.

Or, he may make use of certain Apadravyas, or things which are put on or around the lingam to supplement its length or its thickness, so as to fit it to the yoni. In the opinion of Babhravya, these Apadravyas should be made of gold, silver, copper, iron, ivory, buffalo's horn, various kinds of wood, tin or lead, and should be soft, cool, provocative of sexual vigour, and well fitted to serve the intended purpose. Vatsyayana, however, says that they may be made according to the natural liking of each individual.

The following are the different kinds of Apadravyas in the Kama Sutra:

'The armlet' (Valaya) should be of the same size as the lingam, and should have its outer surface made rough with globules.

'The couple' (Sanghati) is formed of two armlets.

'The bracelet' (Chudaka) is made by joining three or more armlets, until they come up to the required length of the lingam.

'The single bracelet' is formed by wrapping a single wire around the lingam, according to its dimensions.

The Kantuka or Jalaka is a tube open at both ends, with a hole through it, outwardly rough and studded with soft globules, and made to fit the side of the yoni, and tied to the waist.

When such a thing cannot be obtained, then a tube made of the wood apple, or tubular stalk of the bottle gourd, or a reed made soft with oil and extracts of plants, and tied to the waist with strings, may be made use of, as also a row of soft pieces of wood tied together.

The above are the things that can be used in connection with or in the place of the lingam.

The people of the southern countries think that true sexual pleasure cannot be obtained without perforating the lingam, and they therefore cause it to be pierced like the lobes of the ears of an infant pierced for earrings.

Now, when a young man perforates his lingam he should pierce it with a sharp instrument, and then stand in water so long as the blood continues to flow. At night, he should engage in sexual intercourse, even with vigour, so as to clean the hole.

After this he should continue to wash the hole with decoctions, and increase the size by putting into it small pieces of cane, and the wrightia antidysenterica, and thus gradually enlarging the orifice. It may also be washed with liquorice mixed with honey, and the size of the hole increased by the fruit stalks of the simapatra plant. The hole should also be anointed with a small quantity of oil.

In the hole made in the lingam a man may put Apadravyas of various forms, such as the 'round', the 'round on one side', the 'wooden mortar', the 'flower', the 'armlet', the 'bone of the heron', the 'goad of the elephant', the 'collection of eight balls', the 'lock of hair', the 'place where four roads meet', and other things named according to their forms and means of using them. All these Apadravyas should be rough on the outside according to their requirements.

The ways of enlarging the lingam in the Kama Sutra must be now related.

When a man wishes to enlarge his lingam, he should rub it with the bristles of certain insects that live in trees, and then, after rubbing it for ten nights with oils, he should again rub it with the bristles as before. By continuing to do this a swelling will be gradually produced in the lingam, and he should then lie on a cot, and cause his lingam to hang down through a hole in the cot. After this he should take away all the pain from the swelling by using cool concoctions. The swelling, which is called 'Suka', and is often brought about among the people of the Dravida country, lasts for life.

If the lingam is rubbed with the following things, the plant physalis flexuosa, the shavara-kandaka plant, the jalasuka plant, the fruit of the egg plant, the butter of a she buffalo, the hastri-charma plant, and the juice of the vajrarasa plant, a swelling lasting for one month will be produced.

By rubbing it with oil boiled in the concoctions of the above things, the same effect will be produced, but lasting for six months.

The enlargement of the lingam is also effected by rubbing it or moistening it with oil boiled on a moderate fire along with the seeds of the pomegranate, and the cucumber, the juices of the valuka plant, the hastri-charma plant, and the eggplant.

In addition to the above, other means may be learnt from experienced and confidential persons.

The miscellaneous experiments and recipes are as follows:

If a man mixes the powder of the milk hedge plant, and the Kantaka plant with the excrement of a monkey and the powdered root of the lanjalika plant, and throws this mixture on a woman, she will not love anybody else afterwards.

If a man thickens the juice of the fruits of the cassia fistula, and the eugenia jambolana by mixing them with the powder of the soma plant, the vernonia anthelmintica, the eclipta prostata, and the lohopa-jihirka, and applies this composition to the yoni of a woman, and then has sexual intercourse with her, his love for her will be destroyed.

The same effect is produced if a man has connection with a woman who has bathed in the buttermilk of a she-buffalo mixed with the powders of the gopalika plant, the banu-padika plant and the yellow amaranth.

An ointment made of the flowers of the nauclea cadamba, the hog plum, and the eugenia jambolana, and used by a woman, causes her to be disliked by her husband.

Garlands made of the above flowers, when worn by the woman, produce the same effect.

An ointment made of the fruit of the asteracantha longifolia (kokilaksha) will contract the yoni of a Hastini or Elephant woman, and this contraction lasts for one night.

An ointment made by pounding the roots of the nelumbrium speciosum, and of the blue lotus, and the powder of the plant physalis flexuosa mixed with ghee and honey, will enlarge the yoni of the Mrigi or Deer woman.

An ointment made of the fruit of the emblica myrabolans soaked in the milky juice of the milk hedge plant, of the soma plant, the calotropis gigantea, and the juice of the fruit of the vernonia anthelmintica, will make the hair white.

The juice of the roots of the madayantaka plant, the yellow amaranth, the anjanika plant, the clitoria ternateea, and the shlakshnaparin plant, used as a lotion, will make the hair grow.

An ointment made by boiling the above roots in oil, and rubbed in, will make the hair black, and will also gradually restore hair that has fallen off.

If lac is saturated seven times in the sweat of the testicle of a white horse, and applied to a red lip, the lip will become white.

The colour of the lips can be regained by means of the madayantika and other plants mentioned above.

A woman who hears a man playing on a reed pipe which has been dressed with the juices of the bahupadika plant, the tabernamontana coronaria, the costus speciosus or arabicus, the pinus deodora, the euphorbia antiquorum, the vajra and the Kantaka plant, becomes his slave.

If food be mixed with the fruit of the thorn apple (dathura) it causes intoxication.

If water be mixed with oil and the ashes of any kind of grass except the kusha grass, it becomes the colour of milk.

If yellow myrabolans, the hog plum, the shrawana plant, and the priyangu plant be all pounded together, and applied to iron pots, these pots become red.

If a lamp, trimmed with oil extracted from the shrawana and priyangu plants, its wick being made of cloth and the slough of the skins of snakes, is lighted, and long pieces of wood placed near it, those pieces of wood will resemble so many snakes.

Drinking the milk of a white cow who has a white calf at her foot is auspicious, produces fame, and preserves life.

The blessings of venerable Brahmans, well propitiated, have the same effect.

There are also some verses in conclusion of Kama Sutra:

'Thus have I written in a few words the "Science of love", after reading the texts of ancient authors, and following the ways of enjoyment mentioned in them.'

'He who is acquainted with the true principles of this science pays regard to Dharma, Artha, Kama, and to his own experiences, as well as to the teachings of others, and does not act simply on the dictates of his own desire. As for the errors in the science of love which I have mentioned in this work, on my own authority as an author, I have, immediately after mentioning them, carefully censured and prohibited them.'

'An act is never looked upon with indulgence for the simple reason that it is authorised by the science, because it ought to be remembered that it is the intention of the science, that the rules which it contains should only be acted upon in particular cases.

After reading and considering the works of Babhravya and other ancient authors, and thinking over the meaning of the rules given by them, the Kama Sutra was composed, according to the precepts of Holy Writ, for the benefit of the world, by Vatsyayana, while leading the life of a religious student, and wholly engaged in the contemplation of the Deity.'

'This work is not intended to be used merely as an instrument for satisfying our desires. A person, acquainted with the true principles of this science, and who preserves his Dharma, Artha, and Kama, and has regard for the practices of the people, is sure to obtain the mastery over his senses.'

'In short, an intelligent and prudent person, attending to Dharma and Artha, and attending to Kama also, without becoming the slave of his passions, obtains success in everything that he may undertake.'

The Kama Sutra of Vatsayayana, Sir Richard Burton, translator [1883]


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Feminism - Philosophy and Criticism of Feminist Theory and the Feminism Movement by Karene Howie (a Feminist Philosopher from Australia) and her Philosopher partner Geoff Haselhurst. To live life as a True Woman requires understanding what a Woman is. i.e. How a Woman Exists as Matter in Space and thus understanding their Intimate Connection to Man, Child, Sexuality, Nature, Society, and Cosmos.

Philosophy of Love Sex and Orgasm - Evolutionary Foundations of Love, Sex and Orgasm. Love as an Evolved Instinct to enhance survival. Sex / Orgasm as Reproduction, Couple Bonding, Evolution of Immune System and Hormone Function.

Sex Erotica Free Gallery Erotic Art Pictures - Adult Only - On the Beauty of Women - enjoying our Evolution for Lust, Passion and Eroticism. Free Gallery of Erotic Art: Quotes and Pictures on Sex, Eroticism, Vintage Eroticism, Lesbian Sexuality, Masturbation, Orgasm. Short Erotic 'Smut' Story and Video. Links to Free Galleries of Erotic Art and 'Feminist' Philosophy of Eroticism.


Kama Sutra Pages by Subject

Kama Sutra: The Art of Love Contents: Kama Sutra Pictures - Sex Positions - Kama Sutra: Women - Kama Sutra: Partners - Kama Sutra: Marriage - Kama Sutra: Love Potions - Kama Sutra: Sex Aids - Kama Sutra: Homosexuality - Kama Sutra: Embrace - Kama Sutra: Kissing - Kama Sutra: Scratching - Kama Sutra: Biting - Kama Sutra: Sighs and Blows - Kama Sutra: Foreplay - Kama Sutra: Role Reversal - Kama Sutra: Fellatio
Kama Sutra Pages (different spelling): Kamasutra - Kamasutra Pictures - Kamasutra Positions - Kama - Karma - Sutra - Karmasutra - Karma Sutra - Karma Sutra Pictures - Karma Sutra Positions


http://www.sexscrolls.net/ - Journey through the hormones of sex history. Sex in history and humor. classic sex, sex in religion, spirituality of sex, ancient orgies, cultural sex, sex foods, Classic Art
http://www.sex-project.com/kama-sutra-1.shtml - Sex Project - Kama sutra Quotations and Sex Positions. Improve your sexual knowledge for a better sexual life.
http://www.bibliomania.com/2/1/76/123/frameset.html - Online text of the complete Kama Sutra



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Albert Einstein"When forced to summarize the general theory of relativity in one sentence: Time and space and gravitation have no separate existence from matter. ... Physical objects are not in space, but these objects are spatially extended. In this way the concept 'empty space' loses its meaning. ... The particle can only appear as a limited region in space in which the field strength or the energy density are particularly high. ...
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Biography: Geoffrey Haselhurst, Philosopher of Science, Theoretical Physics, Metaphysics, Evolution. Our world is in great trouble due to human behaviour founded on myths and customs that are causing the destruction of Nature and climate change. We can now deduce the most simple science theory of reality - the wave structure of matter in space. By understanding how we and everything around us are interconnected in Space we can then deduce solutions to the fundamental problems of human knowledge in physics, philosophy, metaphysics, theology, education, health, evolution and ecology, politics and society.

This is the profound new way of thinking that Einstein realised, that we exist as spatially extended structures of the universe - the discrete and separate body an illusion. This simply confirms the intuitions of the ancient philosophers and mystics.

Given the current censorship in physics / philosophy of science journals (based on the standard model of particle physics / big bang cosmology) the internet is the best hope for getting new knowledge known to the world. But that depends on you, the people who care about science and society, realise the importance of truth and reality.

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