Sincerely,







The Kama Sutra is not intended to be used merely as an instrument for satisfying our desires. A person, acquainted with the true principles of this science, and who preserves his Dharma (virtue), Artha (prosperity), and Kama (love), and has regard for the practices of the people, is sure to obtain the mastery over his senses. (Kama Sutra, 1883)
An ingenious person should multiply the kinds of congress after the fashion of the different kinds of beasts and of birds. For these different kinds of congress, performed according to the usage of each country, and the liking of each individual, generate love, friendship, and respect in the hearts of women. (Kama Sutra, 1883)
And now for
the love postures
with which sculptors adorn our temple walls.
When a couple make love standing,
or leaning against a wall or a pillar,
it is called Sthita (Steadied)
When the woman
sits in her lover's
cradled hands, her arms around his neck,
thighs gripping his waist,
her feet pushing back and forth
against a wall,
it is Avalambitaka (Suspended)
(Kama Sutra)




She draws her
limbs together,
clasping her knees
tightly to her breasts,
her yoni, like an opening bud,
offered up for pleasure:
this is known as
Mukula (the Bud)
(Kama Sutra)


Seated, the
lady raises one foot
to point vertically over her head
and steadies it with her hands,
offering up her yoni for lovemaking:
this is Mayura (the Peacock)
(Kama Sutra)






Clasping each
other's hands,
you lie sprawled like two starfish making love,
her breasts stabbing your chest,
her thighs stretched out along yours:
this is Devabandha (the Coitus of the Gods)
(Kama Sutra)

Lying upon
you,
your beloved moves round like a wheel,
pressing hands one after the other
on the bed,
kissing your body as she circles:
experts call this Chakrabandha (the Wheel)
If, by means
of some contraption,
your lover suspends herself above you,
places your linga in her yoni
and pulleys herself up and down upon it,
it is Utkalita (the Orissan)
(Kama Sutra)

Now spread,
indeed cleave asunder,
that archway with your nose
and let your tongue
gently probe her yoni,
with your nose, lips and chin
slowly circling:
it becomes Jihva-bhramanaka
(Circling Tongue)
Let your tongue
rest
for a moment in the archway
to the flower-bowed Lord's temple
before entering
to worship vigorously,
causing her seed to flow:
this is Jihva-mardita
(Tongue Massage)
Next, fasten
your lips to hers
and take deep kisses
from this lovely one, your beloved,
nibbling at her
and sucking hard at her clitoris:
this is called Chushita (Sucked)
Cup, lift her
buttocks,
let your tongue-tip probe her navel, slither down
to rotate skilfully in the archway
of the love-god's dwelling
and lap her love-water:
this is Uchchushita (Sucked Up)
Stirring the
root of her thighs,
which her own hands are gripping and holding widely apart,
your fluted tongue
drinks at her sacred spring:
this is Kshobhaka (Stirring)
(Kama Sutra)


When your lover
catches
your penis in her hand,
shaping her lips to an 'O',
lays them lightly to its tip,
moving her head in tiny circles,
this first step is called Nimitta (Touching)
Next, grasping
its head in her hand,
she clamps her lips
tightly about the shaft,
first on one side then the other,
taking great care that her teeth
don't hurt you:
this is Parshvatoddashta
(Biting at the Sides)
When, taking
your penis in her hand
and making her lips very round,
she presses fierce kisses
along its whole length,
sucking as she would
at your lower lip,
it is called Chumbitaka (Kissing)
If while kissing,
she lets her tongue
flick all over your penis
and then, pointing it,
strikes repeatedly
at the sensitive glans-tip,
it becomes Parimrshtaka
(Striking at the Tip)
And now, fired
by passion,
she takes your penis deep into her mouth
pulling upon it and
sucking as vigorously
as though she were stripping
clean a mango-stone:
this is Amrachushita
(Sucking a Mango)
When she senses
that your
orgasm is imminent
she swallows up the whole penis,
sucking and working upon it
with lips and tongue until you spend:
this is Sangara
(Swallowed Whole)
(Kama Sutra)


But no two
women make love quite the same way,
so orchestrate your rhythms
to the moods and colors of each lover's raga (emotions).
If long lovemaking exhausts you
before your lover has reached her orgasm,
you should allow her to roll you over your back
and sit astride you, taking initiative.
If the posture gives her deep pleasure,
or you enjoy its novelty,
she may transpose into it as a matter of course,
taking great care, however,
not to expel the linga from the temple of love.
Consider: she climbs upon you,
the flowers dropping from her tousled hair,
her giggles turning to gasps;
every time she bends to kiss your lips
her nipples pierce your chest.
As her hips begin to churn,
her head, flung back, bobs ever faster;
she scratches, pummels you with small fists,
fastens her teeth in your neck,
doing unto you what you've often done unto her.
When she takes the man's role,
your lady has the choice
of three famous lovemaking techniques:
Samdamsha
(the Tongs), Bhramara (the Bee)
and Prenkholita (the Swing)
If she uses
the Mare's Trick,
gripping your penis with her yoni's vice,
squeezing and stroking it,
holding it inside her for a hundred heart-beats,
it is known as Samdamsha (the Tongs)
If, drawing
up her feet,
she revolves her hips so that your penis
circles deep within her yoni,
you arching your body to help her,
it is Bhramara (the Bee).
If she now
swings her hips
in wide circles and makes figures-of-eight,
swaying upon your body
as though she were riding on a seesaw,
it is Prenkholita (the Swing)
When her passion
has ebbed,
she should rest, bending forward to lay
her forehead upon yours
without disturbing your yoked bodies:
it won't be long before desire stirs again.
Catching your penis, the lady
with dark eyes like upturned lotus petals
guides it into her yoni,
clings to you and shakes her buttocks:
this is Charunarikshita (Lovely Lady in Control)
(Kama Sutra)




Thanks to http://www.sex-project.com/kama-sutra-1.shtml for the above quotations from The Kama Sutra, as translated by Indra Sinha and to Stuart Brown for some of the erotic pictures.
The Kama Sutra of Vatsayayana, Sir Richard Burton, translator (1883)
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Related Links: Kama SutraEastern
Philosophy: Kama Sutra - 'Praised
be the three aims of life, virtue (dharma), prosperity (artha), and love (kama),
which are the subject of this work.' Kama Sutra
(Kama Shastra). Discussion and Quotes / Quotations, Pictures, Positions from
Famous Indian Sexual Philosophy of the Kama Sutra.
Contents:
Kama Sutra Pictures - Kama
Sutra Positions - Kama
Sutra: Women - Kama
Sutra: Partners - Kama
Sutra: Marriage - Kama
Sutra: Love Potions - Kama
Sutra: Sex Aids - Kama
Sutra: Homosexuality - Kama
Sutra: Embrace - Kama
Sutra: Kissing - Kama
Sutra: Scratching - Kama
Sutra: Biting - Kama
Sutra: Sighs and Blows - Kama
Sutra: Foreplay - Kama
Sutra: Role Reversal - Kama
Sutra: Fellatio
Kama Sutra Pages (different spelling): Kamasutra
- Kamasutra
Pictures - Kamasutra
Positions - Kama
- Karma
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- Karmasutra
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Sutra - Karma
Sutra Pictures - Karma
Sutra Positions
Index / Home Page - Summary and
Links to articles on the Metaphysics
of Space and Motion and the Wave
Structure of Matter (WSM). What is the most Simple
Science Theory of Reality? Describing Reality from One
Thing, Space
(with properties of a nearly rigid continuous wave medium) rather than Many
Things (Matter). i. e. From Matter as discrete Particles
generating continuous Spherical Fields in Space-Time
to Matter as Spherical Standing Waves in Space (see diagram below).
Subjects include Truth,
Reality,
Metaphysics,
Physics, Einstein's
Relativity, Quantum
Theory, Cosmology,
Ancient
Greek Philosophy, Western
& Eastern Philosophy, Buddhism,
Hinduism,
Taoism,
Theology,
Evolution,
Nature
/ Ecology, Culture,
Art, Erotic
Art, Sexuality,
Feminism,
Health,
Politics,
Education
and Utopia.
Includes Pictures
and numerous Quotes
from many fine philosophers / physicists, including Plato,
Aristotle,
Rene
Descartes, Gottfried
Leibniz, Sir
Isaac Newton, Christiaan
Huygens, Spinoza,
George
Berkeley, David
Hume, Immanuel
Kant, Friedrich
Nietzsche, Nikola
Tesla, Max
Planck, Gandhi,
Albert Einstein,
Louis de
Broglie, Erwin
Schrodinger, Ludwig
Wittgenstein, Richard
Feynman and Milo
Wolff.
Currently Physics (and thus all human knowledge) is founded on the concepts of particles and forces in Space and Time, which assumes the existence of four separate things. This causes many problems for Humanity because the necessary connection between these things is unknown. The Metaphysics of Space and Motion and the Wave Structure of Matter (WSM) solves these problems by describing Reality in terms of One thing, Space, existing with the Properties of a Wave Medium. Matter is formed from Spherical Standing Waves in Space which cause the 'particle' effect at their Wave Center. Time is due to the Wave Motion (activity) of Space. Forces are caused by the interaction of the Spherical In and Out Waves with other matter in Space which changes the location of the Wave-Center (and which we 'see' as a 'force accelerating a particle').
This rather abrupt summary is explained in substantially better detail on the Index / Homepage. If you have any questions, would like to submit content, or exchange links, please write to us (we like getting emails!).
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erecting a firm system of sound and real knowledge, which may be proof against
the assaults of scepticism, than to lay the beginning in a distinct explication
of what is meant by thing, reality, existence: for in vain shall we dispute
concerning the real existence of things, or pretend to any knowledge thereof,
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